Looking
for instant, high-quality photos you can easily share with friends and family?
A digital camera, paired with image manipulation software, an inexpensive color
printer, and a personal Web site can deliver astonishingly good results and
hugely boost your fun in photography.
Digital
cameras make photography easy and fun. They are as simple to use as traditional
point-and-shoots, but have added features such as exposure adjustment, special
effects, and clear, bright LCD screens that let you preview your pictures
before you take them.
With
a digital camera you can take unlimited pictures and not worry about running
out of film--just download your photos to a computer, and your camera's memory is
free again. Improvements in digital storage allow you to take up to 500
pictures on certain memory cards. In addition, you never have to pay for film
processing, and you get your photos immediately, instead of having to wait for
the prints to be developed. You can e-mail photos to friends, print them out on
photo paper or stickers, or post them on the Web, all without hassling with
photo labs or scanners.
When
shopping for a digital camera, start by identifying your needs. Do you want to take pictures of friends and family?
Will you be using the camera for professional graphics work? Do you ever plan
on printing your photos? Knowing what kind of photos you'll be taking most
often will help you decide what resolution, storage type, power source, and other
amenities you'll need. Check out the specific features below for more details.
Choices
With close to 250 different consumer and
prosumer digital cameras on the market, and more to be released, choosing the
right device for your needs can be intimidating. The first step in narrowing
the field is deciding what kind of photographer you are and which level of
camera fits your digital photography needs.
Budget
To some degree, it's true that you get what
you pay for in terms of features and image quality. Even though a particular
digital camera may fit your budget, you're not getting a bargain if it doesn't
meet your needs. For example, there's no sense buying a bare bones, ultra cheap
digital camera if you have your heart set on a 3-megapixel model with manual
settings. It also doesn't pay to fork out big bucks for an expensive,
everything-but-the-kitchen-sink digital camera when you're really just a
point-and-shoot user. Here's a quick primer on the types of digital cameras out
there, what they offer, and how much you should expect to pay:
Consumers
($200 to $500). Consumer-level
digital cameras are somewhat more sophisticated but still relatively
simple to shoot. They're usually equipped with an auto-focus lens that has
macro capability (some also come with a zoom lens). In addition to the
features common to basic digital cameras, consumer-level models feature an
LCD viewfinder and a removable memory card. Additional features often
include exposure compensation, different flash modes, white balance, burst
mode, video out, and program modes for photographing at night, making
portraits, shooting black-and-white or sepia photos, and capturing
landscapes. Most offer 1- to 2.2-megapixel resolution.Digital Zoom: Crops then enlarges the
image digitally causing a slight loss in resolution. It basically does the same
thing as increasing the size of an image using computer software. NOT AS GOOD
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Resolution |
Maximum desktop print (inches) |
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VGA (640-x-480) |
3.5-x-5 |
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1-megapixel |
5-x-7 |
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2-megapixel |
8-x-10 |
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3-megapixel |
11-x-14 |
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4-megapixel |
14-x-17 |
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5-megapixel |
16-x-20 |
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Lots
of Pixels |
Few
Pixels |
Maximum
resolution is one of the most important ratings of a digital camera. Resolution
refers to how many pixels make up a photo, and it is usually measured in the
horizontal by vertical resolution, as in "1280 x 960." The higher the
resolution, the sharper the picture. Traditional film has a much higher
resolution than what digital cameras can muster--at least for now. But today's
digital cameras are getting closer and closer to the extreme clarity of film.
Most
cameras offer a choice of resolutions, since high-resolution pictures take up
much more memory. Common digital-camera resolutions include 1600 x 1200, 1280 x
960, and 1024 x 768 (termed "megapixel" resolutions), 640 x 480, and
320 x 240. The resolution you need depends on what you plan to do with your
photos. If you just want to e-mail photos to your friends or put them on
the Web, you'll be happy with a lower resolution like 640 x 480. If you want to
print your photos, however, megapixel resolutions will give you better results,
because most printers print at 600 dots per inch. Lower-resolution printouts
tend to be grainy. Megapixel cameras often offer the option of taking
lower-resolution photos so that you can fit more photos in the camera's memory.
However, not surprisingly, high-resolution digital cameras are more expensive.
Another
factor that affects image quality is compression, the process that shrinks a
photo's file size. Most cameras take photos as compressed JPEG files, which
allows you to store more images on a memory card. Compression also makes it
faster to save and download photos and easier to e-mail photos or download them
as part of a Web site. For most uses--e-mailing photos to friends, printing out
photos for albums, or posting images on the Web--compressed images are
adequate. Compression causes a small amount of data loss, however; if you
need the absolute best-quality images, consider buying a camera that takes
uncompressed photos. You'll only be able to fit a few uncompressed images
on a memory card, but you'll get the sharpest, clearest, most detailed pictures
possible.
Memory,
the equivalent of film in a conventional camera, is where pictures are stored
as you take them. A camera's memory size will determine how many images you can
store. If you anticipate downloading your images often, buying a camera with a
large amount of memory isn't as important. But if you plan on taking many
pictures without having access to your computer for downloading, you should buy
a camera with a lot of included or expandable memory--or buy extra memory
media.
Cameras
with internal memory store their images in a non-removable memory chip embedded
within the camera. However, most consumer cameras use external memory--a memory
card, PCMCIA card, or even a floppy disk--that you can remove when it's full.
You can increase the number of photos you can take by buying additional
external memory.
A
camera's maximum image rating will tell you how many images it can hold at the
lowest possible resolution (usually 640 x 480 or 320 x 240). Most digital
cameras can hold from 40 to 120 low-resolution images.
Note: My camera (Kodak
DX3500 2.2 Mega pixel) with a 64 MB memory card in it can store 393 pictures in
GOOD mode (900X600) or 98 pictures in
BEST mode (1800X1200). The camera cost
just over $200 and the extra memory card (8 MB built in to the camera gives you
about 20 BEST photos or 40 GOOD photos) cost about $50.00.
Digital
cameras use significantly more power than traditional cameras. While typical
cameras usually need their batteries replaced every 15 rolls of film or so, you
might find your digital camera running out of batteries before you've filled
its memory (especially if it runs on AAs). Digital cameras use either a
rechargeable battery pack or traditional batteries; some come with an AC
adapter as well. Consider buying an extra battery pack or investing in
rechargeable AAs, and always have extra on hand. The biggest drawback to
digital cameras is their tendency to run out of power in the middle of a photo
shoot.
Most
digital cameras come with at least an optical viewfinder--the kind you look
through on traditional film cameras--but many digital cameras also come with an
LCD screen built into the
back,
which you can use as a viewfinder as well. The LCD screen is especially useful
because you can see what your picture will look like before you take it. It
also allows you to look at the photos you've already taken. Using the LCD
screen is a significant battery drain, however, so if you use it often, have
extra batteries on hand.
The
length of a camera's lens determines how much of a scene will fit in a picture.
Lens lengths vary between wide-angle (used for landscapes and shots in which
you want to include as much as possible) and telephoto (used for close-ups and
to zoom in on faraway objects). "Normal" lenses, about 50mm on
traditional cameras, most closely approximate what your eye sees; anything
shorter than 50mm is considered wide-angle, while anything longer is usually
considered telephoto.
The
image sensor in digital cameras is smaller than 35mm film, so lenses on digital
cameras tend to be much shorter than on traditional cameras. Look for the
"35mm equivalent" rating to get a better idea of your camera's range.
Most fixed-length lenses on digital cameras fall somewhere between wide-angle
and normal focal length. Many digital cameras now offer zoom lenses, which take
you from wide-angle to telephoto. In addition to this optical zoom capability,
some cameras provide digital zoom, which enlarges an area in the picture. While
digital zoom adds extra close-up power, image quality may suffer at a very high
magnification. Some cameras also have macro capability, which lets you focus
very close and take pictures of small objects.
Fixed-focus
digital cameras have a lens that is preset to focus at a certain range.
Higher-end digital cameras usually have autofocus instead, which automatically
focuses the camera at your subject's distance.
Most
cameras automatically determine the correct exposure for the lighting
conditions. Sometimes, however, the scene will appear too dark or too
washed-out. In these cases, it's handy to have a digital camera that offers
manual exposure adjustment, allowing you to set the exposure a few stops
brighter or darker. A digital camera's ISO-equivalent rating lets you know how
light sensitive it is; a camera rated ISO 100, for example, has about the same
light sensitivity as a traditional film camera loaded with ISO 100 film. Higher
ISO ratings mean the camera is more sensitive to light and can take pictures in
darker settings.
Digital
cameras work just like traditional cameras when it comes to aperture: the
maximum aperture rating of a camera lets you know how much light it can let in.
Aperture ratings represent ratios; the lower the aperture rating, the more light-sensitive
the camera is and the better it can take photos in low light.
Most
digital cameras come with a built-in flash. Basic flash modes should include
automatic (senses when to use the flash according to lighting conditions), on
(for all photos), and off. Some cameras include additional features, such as
red-eye reduction or night portrait mode. Red-eye reduction is ideal for
photographing people or animals--it fires a series of short flashes before the
final flash and exposure, making your subject's pupils contract and preventing
them from having glowing red eyes in the final photo. Night portrait mode sets
your flash to go off at the beginning or end of a long exposure, letting you
take portraits set against a night scene, such as a cityscape. However, you
should find something steady to set the camera on; the long exposure needed for
low light will turn any shake of the camera into a blurry spot in your image.
If
your digital camera has an LCD screen on the back, you may be able to view
images you already took. Some cameras even let you display pictures on the LCD
screen in thumbnail format, usually 9 or 12 to a screen. Most cameras also let
you select pictures to erase; this handy feature gives you the chance to edit out
the photos you don't want in order to free up memory.
A
self-timer sets your digital camera for a delayed exposure, usually giving you
about 10 seconds before it takes the picture. This feature is useful for
getting yourself in the photo and can also be used to take low-light photos,
preventing the camera shake caused by pushing the exposure button.
A
few digital cameras have the ability to record a few seconds of audio with each
shot, letting you add a personal sound bite to your photos. This feature tends
to eat up battery power rather quickly, so if you use it often, be prepared
with extra batteries.
The
first digital cameras were heavy, clunky boxes that could hardly be called
stylish. But today's digital cameras are moving steadily toward the sleek,
lightweight form of traditional point-and-shoots, with stainless steel casings
for added durability. Still, expect most digital cameras to be bigger and
heavier than traditional cameras for a while longer.
Some
digital cameras include a "video out" function that gives you the
option to hook them up to a TV to display your pictures. With this feature you
can also record your pictures onto a VHS tape.
Most
high-end cameras have software and connections for both Mac and PC computers,
but make sure the digital camera you want is compatible with your platform
before you buy it. All consumer digital cameras come with the software you need
to download your pictures onto a computer. Most also include image-editing
software--which lets you crop, adjust, or add special effects to your
photos--and the cables and/or cards you need to connect to your computer.
Connecting and downloading pictures from a digital camera is easier than you
might think; the software and cables are straightforward to install and use.
Digital
cameras can use a variety of different interfaces. Some use a serial or
parallel interface, which plugs into a port on the back of your computer.
Others come with a PCMCIA interface, which can be inserted directly into a
notebook computer. Digital cameras can also use wireless infrared, which frees
you from having to plug in cables or cards. Certain cameras use 3.5-inch floppy
disks as memory or provide a floppy-drive adapter for the memory cards.
Once
you've downloaded and edited your images, most e-mail programs will let you
attach them to messages. You can also upload them to your Web site or copy them
onto floppy disk to give to your friends and family. Some digital cameras can
be connected directly to a color printer for printing out your photos;
otherwise, you can use the printer hooked up to your computer. One of the
advantages of using a digital camera is that you can make copies of your photos
whenever you want, without having to hunt through negatives and send them out
for processing at a lab. You can also make calendars, greeting cards, collages,
and enlargements easily and inexpensively at home.
The
first digital cameras were meant for professionals and cost more than $10,000.
But current technology makes it possible for manufacturers to offer
high-resolution, full-featured digital cameras at a price many consumers can
afford. Today's digital cameras run anywhere from $400 to slightly more than
$1,000, depending on resolution and features. While the initial expense of a
digital camera is still higher than a traditional point-and-shoot, you may find
that the added convenience and savings in film and processing costs are worth
it.
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EXPLANATION
OF TERMS |
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A/B
Editing |
Video editing method that
is able to control more than one playback machine. |
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Adapter |
Holds your small picture
storage device, so that you can insert it into a larger area on your computer
and view the pictures from it. |
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Adjustable
Camera |
A camera in which the
user is able to manually adjust settings for lense openings, distance, and
shutter speed. |
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Albada
Viewfinder |
A viewfinder with a
negative objective lens and a positive eyepiece. |
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Angle
of View |
The area of a scene that
is included by a lense. |
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Aperture,
maximum |
The biggest of the holes
in which light enters into the digital camera. |
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Aperture |
Size of the hole that
lets the light through the lens and in to the camera.. |
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Aspect
Ratio |
The ratio of width to
height of a picture. |
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ATA |
A guide for storage
devices that makes them usuable as if they were hard drive on the system. |
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Attachment |
Any file such as a
picture that is sent with an email and can viewed or saved on the receivers
computer. |
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Automatic
Exposure |
An operation in which a
camera automatically adjusts it's shutter speed, and aperture to provide for
proper exposure. |
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Automatic
Flash |
A flash that is light
sensitive and dertermines itself when a flash is needed for a picture. |
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Bit-mapped |
Images that are formed from
pixels and each pixel being a shade of gray or another color. |
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Burst
Mode |
Capability of a camera to
shoot pictures one after the other as long as the shutter release button is
held down. |
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Card |
Pictures are stored on these,
and then uploaded from this to your computer. |
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CCD |
A sensor that reads the
charges that are built up on a sensor's photosites, one row at a time. |
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Chromatic
Aberration |
The inability to bring
light of all colors to the same plane of focus. |
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Color
Balance |
The accuracy in which
colors in the photo are able to match those of the orignal scene. |
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Color
Depth |
The amount of bits that
are assigned to each pixel in an image and also the amount of colors that are
capable of being created from those bits. |
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CompactFlash |
Flash storage for digital
cameras. |
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Compression,
lossless |
File compression method
that is capable of making a file smaller without losing quality of the image. |
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Compression,
lossy |
Method of file
compression that causes an image to lose it's quality, and is not capable of
returning it back to it's original quality. |
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Compression |
Cutting down on the size
of a file. |
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Depth
of Field |
This is the distance
between the closest and farthest points that appear to be in good focus in a
picture. |
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Exposure |
The maneuver of
permitting light to hit a light sensitive section. |
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Flash
Card Reader |
An accessory that is attached
to your computer system . You insert a memory card into this and it transfers
the information from the card to your computer. |
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Flash
Memory |
Card that is capable of
storing images. |
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Focal
Length |
The distance from the surface
of a lens or mirror to it's focal point. |
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Focus |
The method of bringing
the image into clear view on the image sensor. |
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Frame
Rate |
Number of pictures that
it is capable of taking in a certain amount of time. |
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Gif |
Image file that was designed
to display line art. |
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Gray
Scale |
a Series of tones ranging
from white to black. |
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Interpolation |
This is done with some
zoom lenses. It adds extra pixels to an image. |
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JPEG
(JPG) |
Image format that uses lossy
compression to reduce the file size. |
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Landscape
Mode |
Taking a horizontal
picture by holding the camera in it's normal position. |
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Macro
Mode |
Allows you the capability
of getting very close to an item and making it look much enlarged. |
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Megapixel |
An image that has over
one million pixels. |
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MPEG |
Digital video format. |
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Multi-megapixel |
An image with over two
million pixels. |
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Multiple
Exposure Mode |
Let's you lay one image
over the other. |
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NiCad |
Nickel cadmium battery. |
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Noise |
Pixels that misread the
light. |
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Term |
Definition |
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Operating
System |
This is the program that
controls the camera's hardware. |
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Overexposure |
Allowing the image sensor
more light then it needs, causing the pictures to be too light. |
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Panoramic
Mode |
Used to catch an image
that is much wider then it is tall. |
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PC
Card |
A storage device that
plugs in to a hand held computer or notebook. |
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Pixelization |
Caused by enlarging an
image too much. Makes the pixels large and very obvious. |
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Pixels |
The elements that make up
a digital image. |
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Port |
Area on the computer
where a cable can be plugged in to hook the camera to the computer in order
to upload your pictures. |
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Portrait
Mode |
Vertical Photo. |
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Preview
Screen |
A small screen on the
back of the camera used to display pictures. |
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Recycle
Time |
The amount of time it
takes to process and then store and image. |
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Resolution |
The fineness of detail
that can be distinguished in an image. |
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RGB |
Color system used in
digital cameras. |
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Shutter
Speed |
The amount of time that
it takes for a shutter to open and light to strike on it's image sensor. |
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Shutter |
The part of the camera that
opens and closes in order to let light from the scene strike the image sensor
and expose the image. |
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Upload |
Sending the images from
your camera storage device to your computer. |
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VGA |
640 x 480 resolution. |
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Zoom
Lense |
Capable of making the scene
look closer on the picture than it actually was. |
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Pros and Cons
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Pros |
Cons |
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Ø
· You'll never have to pay for film or
processing again. Ø
· It's like a Polaroid on steroids: You can see
your captured shot immediately. Ø
· From shooting the camera to posting on the
Web to generating a print from your ink jet printer-the whole process takes
only minutes. Ø
· If you don't like the shot you just took,
you can instantly erase it and shoot it again. Ø
· Some digital cameras allow you to shoot
videos or record and play MP3 sound clips, and some double as a Web camera. |
Ø
· Digital cameras cost a lot more than
comparable film cameras. Ø
· Generally, image quality may not be as good
and the size of the enlargements may be limited because of the digital
camera's resolution. Ø
· There's always a time delay from when you
turn the camera on until it's ready, as well as from the instant you press
the shutter and the picture is actually captured. Ø
· Digital cameras eat batteries, so you'll
always be buying or recharging them. Ø
· It's difficult to see anything in the LCD
viewfinder in bright sunlight. |
Top Ten Buying
Tips